Exposing the depth of two major artists' philosophies, creative visions, stylistic tendencies, and contributions to their craft, this unprecedented comparative analysis synthesizes biographical material, critical interpretation, and selected exemplars of the writers' work. Smith reinterprets their work in a new and fascinating light, presenting Dylan as a songwriter of enigmatic wordplay and Springsteen as the melodramatic narrator of a specific community's life struggles.

Both songwriters have had unique responses to the celebrity singer/songwriter tradition begun by Woody Guthrie. Smith reveals the power of authorship and the creative drive necessary to negotiate an artistic vision through the complicated mechanisms of the world of commercial art. Both have discovered their own means of traveling this difficult terrain, and Smith probes their lives and work to reveal the myriad ways in which two distinct, equally significant artists have learned from and contributed to an ongoing and important American musical tradition.

This study of Dylan's mission-driven music reveals a functional approach to art that not only sustained his 60-year career but forever changed an art form. The second edition of Writing Dylan: The Songs of a Lonesome Traveler examines Nobel Laureate Bob Dylan's historic career, yielding unique insights into a distinctively American artist's creative world. The book opens with a short biography and description of Dylan's artistic method before diving into the seven missions of his life's work. Chapters are supported by song lyrics, of which the author's license agreement with Bob Dylan Music enables a definitive presentation. Since the release of the first edition in 2005, the laureate has produced three albums of original material as well as three widely praised albums of American standards. Columbia Records has issued multiple boxed sets chronicling specific periods of Dylan's career, and several films have been made about him. Dylan himself has also given numerous speeches and interviews, often while accepting prestigious awards. This second edition not only features these new materials but draws on them to recast the first edition, presenting Dylan's music as an indelible art form.

Few in popular music have had as varied a career and as lasting an impact as Bob Dylan. His songs have entered the cultural consciousness in a way that some have called revolutionary. In this bold and comprehensive new study—the definitive guide to Dylan's work—author Larry David Smith explores the convergence of biography, artistic philosophy, and musical style in Bob Dylan's oeuvre. Making the case that Bob Dylan is actually a persona carefully crafted by its maker, the former Robert Zimmerman of Hibbing, Minnesota, Writing Dylan represents a new and authoritative contribution to the study of this key figure of the contemporary era. Having been granted unprecedented use of Dylan's own lyrics in his analysis, Smith interprets Dylan's narratives, characters, plots, and values, and reveals the artist's mission-oriented approach to art. Writing Dylan tackles each period of its subject's five-decade career, offering an inventive and unprecedented investigation of Dylan's artistic imperative, cultural significance, and songcraft. The result is perhaps the most important work to date on this mercurial figure, whose songs have established a fully realized portrait of his personal mysteries. Few in popular music have had as varied a career and as lasting an impact as Bob Dylan, whose songs have entered the cultural consciousness in a way that some have called revolutionary. In this bold and comprehensive new study—the definitive guide to Dylan's work—author Larry David Smith explores the convergence of biography, artistic philosophy, and musical style in Bob Dylan's oeuvre. Making the case that Bob Dylan is actually a persona carefully crafted by its maker, the former Robert Zimmerman of Hibbing, Minnesota, Writing Dylan represents a new and authoritative contribution to the study of this key figure of the contemporary era. Having been granted unprecedented use of Dylan's own lyrics in his analysis, Smith interprets Dylan's narratives, characters, plots, and values, and reveals the artist's mission-oriented approach to art. Writing Dylan tackles each period of its subject's five-decade career, offering an inventive and unprecedented investigation of Dylan's artistic imperative, cultural significance, and song craft. The result is perhaps the most important work to date on this mercurial figure, whose songs have established a fully realized portrait of his personal mysteries.

Exposing the depth of two major artists' philosophies, creative visions, stylistic tendencies, and contributions to their craft, this unprecedented comparative analysis synthesizes biographical material, critical interpretation, and selected exemplars of the writers' work. Smith reinterprets their work in a new and fascinating light, presenting Dylan as a songwriter of enigmatic wordplay and Springsteen as the melodramatic narrator of a specific community's life struggles.

Both songwriters have had unique responses to the celebrity singer/songwriter tradition begun by Woody Guthrie. Smith reveals the power of authorship and the creative drive necessary to negotiate an artistic vision through the complicated mechanisms of the world of commercial art. Both have discovered their own means of traveling this difficult terrain, and Smith probes their lives and work to reveal the myriad ways in which two distinct, equally significant artists have learned from and contributed to an ongoing and important American musical tradition.

Smith explores Pete Townshend's artistic struggle between his own creative impulses and those of the commercial public. Faced with a modern version of the minstrel's dilemma, Townshend, early in his career, ignored his creative instincts to satisfy commercial agendas. After his success, he slowly withdrew to resolve his conflict between creativity and commercialism. Townshend's creative vision unfolds against the conflicts and compromises battled with the entertainment industry. A common theme, that of the seeker, weaves throughout the various phases of Townshend's career and highlights his own quest for complete artistic expression free from compromise.

In "The Minstrel's Dilemma," Townshend is shown as a musician confronting the same battles begun by early minstrels and later fought by composers such as Beethoven and Mozart. He is referred to as a rock auteur, creating music that reflects his personal experiences and creative views. He is called a seeker, in search of artistic freedom toward personal expression. And at the end of his thirty-year struggle he is a true artist, able to live up to audience expectation while attending to his own artistic impulses.

This volume is a study of the orchestration of cordial concurrence at the quadrennial nominating conventions of the two major political parties. The phrase cordial concurrence pertains to a party's endorsement of a candidate at the national convention whose nomination occurred elsewhere. Since the candidate is the product of primaries and caucuses, the convention's primary function involves not the nomination of the party standard-bearer, but the mobilization of party resources in support of a decision rendered elsewhere. Smith and Nimmo oppose the view that national political conventions serve no major purpose and are relics from the past. Instead, they explain that the conventions are products of institutional coordination and reflect the institutional qualities of American democracy.

This definitive analysis examines how political party conventions mobilize resources through political, governmental, and media institutions in a telepolitical era. This volume discusses the history and background of cordial concurrence. It then explores what happens at the conventions and how the media, especially television coverage, has affected this institution. Finally, the authors examine the comments of the critics of national political conventions. This intriguing work will provide both educators and professionals interested in political communication with new insight as to how the conventions are a microcosm of all that is American politics.

This volume is a study of the orchestration of cordial concurrence at the quadrennial nominating conventions of the two major political parties. The phrase cordial concurrence pertains to a party's endorsement of a candidate at the national convention whose nomination occurred elsewhere. Since the candidate is the product of primaries and caucuses, the convention's primary function involves not the nomination of the party standard-bearer, but the mobilization of party resources in support of a decision rendered elsewhere. Smith and Nimmo oppose the view that national political conventions serve no major purpose and are relics from the past. Instead, they explain that the conventions are products of institutional coordination and reflect the institutional qualities of American democracy.

This definitive analysis examines how political party conventions mobilize resources through political, governmental, and media institutions in a telepolitical era. This volume discusses the history and background of cordial concurrence. It then explores what happens at the conventions and how the media, especially television coverage, has affected this institution. Finally, the authors examine the comments of the critics of national political conventions. This intriguing work will provide both educators and professionals interested in political communication with new insight as to how the conventions are a microcosm of all that is American politics.